This track was my first with live models. Zac, Jesse, and Gary sat in the music room while I looked at them and experienced them and mediated upon them to create this sound scape. Although each individual inspired various ideas of several sorts, a fair grossly generalized association could be:
playful experimental feedback with Jesse
"trying hard" with quick single notes and phallic rock
sounding runs and patterns with Zac
and
emotive whammy antics with Gary.
After the recording session, I felt awkward and distant but not unpleasant, which quickly subsided. I really enjoyed the model event and hope to purse it again soon.
Parker Fly into Aphex Punch Factory split twice:
1) Ibanez TS9, Ibanez CS9 run stereo into:
a) Digitech Whammy, set to octave harmony. Dry output to Fender Twin Reverb "Vibrato" channel with reverb, wet added into Fender Twin Reverb "Normal" channel.
b) Carvin x100b. "Lead" channel with Electro-Harmonix #1 Echo in effects loop.
2) MI Audio Crunch Box into Akai Head Rush II on "Track Echo" mode, with signal sent three directions:
a) Dry into Boss HF-2 into Fender Blues Jr. with echo and amp distortion and reverb
b) Head one in MXR Phase 90 straight into Firepod.
c) Head two into stationary Vox Wah straight into Firepod (dynamic wah sound achieved by software "Auto Wah" effect)
This collaboration between guitarist Lucas Brode and drummer G. Calvin Weston is a freewheeling hybrid of experimentalism, jazz, and more. Bandcamp New & Notable Mar 28, 2023